{"id":6,"date":"2010-01-06T14:35:25","date_gmt":"2010-01-06T11:35:25","guid":{"rendered":"http:\/\/volokhov.ru\/site\/?page_id=6"},"modified":"2026-10-24T21:19:15","modified_gmt":"2026-10-24T17:19:15","slug":"%d1%82%d0%b5%d0%ba%d1%81%d1%82%d1%8b","status":"publish","type":"page","link":"https:\/\/volokhov.net\/?page_id=6","title":{"rendered":"\u041f\u044c\u0435\u0441\u044b \u041c\u0438\u0445\u0430\u0438\u043b\u0430 \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u0430 (Plays by Mikhail Volokhov)"},"content":{"rendered":"
\u0425\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u043e\u0444\u043e\u0440\u043c\u043b\u0435\u043d\u0438\u0435 \u041c\u0430\u0440\u0438\u0435\u0439 \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u043e\u0439 \u0441\u043a\u0430\u0437\u043a\u0438 \u041c\u0438\u0445\u0430\u0438\u043b\u0430 \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u0430 «\u041a\u0440\u0430\u0441\u043d\u044b\u0439 \u0442\u044e\u043b\u044c\u043f\u0430\u043d \u0438 \u043f\u0440\u043e\u0448\u043b\u043e\u0433\u043e\u0434\u043d\u0438\u0439 \u0434\u0443\u0431\u043e\u0432\u044b\u0439 \u043b\u0438\u0441\u0442\u0438\u043a»<\/h5>\n

Mikhail VOLOKHOV La Tulipe et la Feuille de Ch\u00eane Illustrations et traduction de Maria VOLOKHOV<\/a><\/p>\n

THE RED TULIP AND LAST-YEAR’S OAK LEAF (A fairy tale) by Mikhail VOLOKHOV<\/a><\/p>\n

\u041a\u0440\u0430\u0441\u043d\u044b\u0439 \u0442\u044e\u043b\u044c\u043f\u0430\u043d \u0438 \u043f\u0440\u043e\u0448\u043b\u043e\u0433\u043e\u0434\u043d\u0438\u0439 \u0434\u0443\u0431\u043e\u0432\u044b\u0439 \u043b\u0438\u0441\u0442\u0438\u043a (\u0441\u043a\u0430\u0437\u043a\u0430)<\/a><\/p>\n

\u041f\u044c\u0435\u0441\u044b<\/strong><\/h5>\n

\u0418\u0413\u0420\u0410 \u0412 \u0416\u041c\u0423\u0420\u0418\u041a\u0418<\/a><\/p>\n

\u0412\u0415\u041b\u0418\u041a\u0418\u0419 \u0423\u0422\u0415\u0428\u0418\u0422\u0415\u041b\u042c<\/a>
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\u0425\u0420\u041e\u041d\u0418\u041a\u0418 \u041c\u0410\u041a\u0411\u0415\u0422\u0410, \u041a\u041e\u0420\u041e\u041b\u0418 \u041f\u041e\u0414\u042a\u0415\u0417\u0414\u0410<\/a><\/p>\n

\u0420\u0423\u0411\u041b\u0415\u0412\u0421\u041a\u041e\u0415 \u0421\u0410\u0424\u0410\u0420\u0418 \u041d\u0410\u0425<\/a><\/p>\n

\u041a\u0418\u041b\u0418\u041c\u0410\u041d\u0414\u0416\u0410\u0420\u041e \u041d\u0410 \u0413\u0423\u0411\u0410\u0425 \u0422\u0412\u041e\u0418\u0425<\/a><\/p>\n

\u041f\u0423\u041b\u0418 \u0412 \u0428\u041e\u041a\u041e\u041b\u0410\u0414\u0415<\/a><\/p>\n

\u0412\u042b\u0428\u041a\u0410 \u0427\u0418\u041a\u0410\u0422\u0418\u041b\u041e<\/a><\/p>\n

\u0418 \u0412 \u041f\u0410\u0420\u0418\u0416<\/a><\/p>\n

\u041b\u0415\u0421\u0411\u0418\u042f\u041d\u041e\u0427\u041a\u0418 \u0428\u0423\u041c\u0410 \u0426\u0423\u041d\u0410\u041c\u0418<\/a><\/p>\n

\u041a\u041e\u041c\u041f\u0410\u041d\u042c\u041e\u041d\u041a\u0410<\/a><\/p>\n

\u0421\u041e\u0420\u041e\u041a \u0412\u041e\u0421\u042c\u041c\u041e\u0419 \u0413\u0420\u0410\u0414\u0423\u0421 \u0421\u041e\u041b\u041d\u0415\u0427\u041d\u041e\u0419 \u0428\u0418\u0420\u041e\u0422\u042b<\/a><\/p>\n

\u041d\u0415\u041f\u041e\u0420\u041e\u0427\u041d\u041e\u0415 \u0417\u0410\u0427\u0410\u0422\u0418\u0415<\/a><\/p>\n

\u041b\u042e\u0414\u041c\u0418\u041b\u0410 \u0413\u0423\u0420\u0427\u0415\u041d\u041a\u041e \u0416\u0418\u0412\u0410\u042f<\/a><\/p>\n

\u0414\u0418\u041e\u0413\u0415\u041d. \u0410\u041b\u0415\u041a\u0421\u0410\u041d\u0414\u0420. \u041a\u041e\u0420\u0418\u041d\u0424.<\/a><\/p>\n

\u041f\u0410\u041b\u0410\u0427 \u0415\u0413\u041e \u0412\u0415\u041b\u0418\u0427\u0415\u0421\u0422\u0412\u0410<\/a><\/p>\n

\u0413\u041e\u041b\u042b\u0419 \u0421\u041d\u0415\u0413 \u041d\u0415\u0411\u0420\u0415\u0416\u041d\u041e \u041d\u0415\u0416\u041d\u042b\u0419<\/a><\/p>\n

LA NATURE<\/a><\/p>\n

******************************************<\/p>\n

\u0414\u0418\u0410\u041b\u041e\u0413: \u041c\u0438\u0445\u0430\u0438\u043b \u0412\u043e\u043b\u043e\u0445\u043e\u0432, \u041d\u0438\u043a\u0438\u0442\u0430 \u0421\u0442\u0440\u0443\u0432\u0435 \u2013 \u00ab\u0422\u0415\u0410\u0422\u0420 \u041a\u0410\u0419\u0420\u041e\u0421\u0410 \u041f\u041e \u0421\u0423\u0422\u0418\u00bb \u2013 \u044d\u0441\u0441\u0435 \u041c\u0438\u0445\u0430\u0438\u043b\u0430 \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u0430 \u043e \u0442\u0435\u043e\u0440\u0438\u0438 \u0442\u0435\u0430\u0442\u0440\u0430 \u0438 \u0438\u0441\u043a\u0443\u0441\u0441\u0442\u0432\u0430 \u043d\u0430 \u043e\u0441\u043d\u043e\u0432\u0435 \u0438\u043d\u0442\u0435\u0440\u0432\u044c\u044e \u041d\u0438\u043a\u0438\u0442\u044b \u0421\u0442\u0440\u0443\u0432\u0435 \u0441 \u041c\u0438\u0445\u0430\u0438\u043b\u043e\u043c \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u044b\u043c.<\/a><\/p>\n

\u0421\u0442\u0430\u043d\u0438\u0441\u043b\u0430\u0432 \u041c\u0435\u0440\u043a\u0443\u0448\u043e\u0432 \u2014 ‘\u042f\u0437\u044b\u043a\u043e\u0432\u0430\u044f \u0438 \u0442\u0435\u043c\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u044f \u0434\u0435\u0442\u0430\u0431\u0443\u0438\u0437\u0430\u0446\u0438\u044f \u0432 \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u0435 \u041c\u0438\u0445\u0430\u0438\u043b\u0430 \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u0430 (\u043f\u044c\u0435\u0441\u0430 \u0438 \u0444\u0438\u043b\u044c\u043c ‘\u0412\u044b\u0448\u043a\u0430 \u0427\u0438\u043a\u0430\u0442\u0438\u043b\u043e’)’<\/a><\/p>\n

\u0421\u0442\u0430\u043d\u0438\u0441\u043b\u0430\u0432 \u041c\u0435\u0440\u043a\u0443\u0448\u043e\u0432 — ‘\u041f\u0440\u043e\u0431\u043b\u0435\u043c\u0430\u0442\u0438\u043a\u0430 \u043e\u0442\u0435\u0447\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u044b\u0445 \u043f\u044c\u0435\u0441 \u0430\u0431\u0441\u0443\u0440\u0434\u0430 1980 — 90-\u0445.\u0433\u0433. — \u041c\u0438\u0445\u0430\u0438\u043b \u0412\u043e\u043b\u043e\u0445\u043e\u0432’<\/a><\/p>\n

\u0421\u0442\u0430\u043d\u0438\u0441\u043b\u0430\u0432 \u041c\u0435\u0440\u043a\u0443\u0448\u043e\u0432 — ‘\u0422\u0430\u0431\u0443 \u0438 \u0430\u0431\u0441\u0443\u0440\u0434 — \u041c\u0438\u0445\u0430\u0438\u043b \u0412\u043e\u043b\u043e\u0445\u043e\u0432’<\/a><\/p>\n

Lidia Mi\u0119sowska — Uniwersytet \u015al\u0105ski \u2013 \u041f\u043e\u043b\u044c\u0448\u0430. \u0414\u0438\u0430\u043b\u043e\u0433 \u0441 \u0430\u0431\u0441\u0443\u0440\u0434\u043e\u043c. \u0417\u0430\u043c\u0435\u0442\u043a\u0438 \u043e \u0434\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433\u0438\u0438 \u041c\u0438\u0445\u0430\u0438\u043b\u0430 \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u0430. A Dialogue with the Absurd: Remarks on Mikhail\u00a0Volokhov\u2019s Dramatic Works<\/a><\/p>\n

Traductions de pi\u00e8ces de th\u00e9\u00e2tre de Mikhail Volokhov en fran\u00e7ais avec traductions d’articles critiques sur ce dramaturge.
\n<\/strong>\u041f\u0435\u0440\u0435\u0432\u043e\u0434\u044b \u043f\u044c\u0435\u0441 \u041c\u0438\u0445\u0430\u0438\u043b\u0430 \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u0430 \u043da \u0444\u0440\u0430\u043d\u0446\u0443\u0437\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a \u0438 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u044b \u043a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0441\u0442\u0430\u0442\u0435\u0439 \u043e \u0434\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433\u0435.<\/strong><\/h5>\n

CACHE-CACHE AVEC LA MORT de Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

Discours (Cache-cache avec la mort)<\/a><\/p>\n

Entretien sur la piece de Mikhail Volokhov CACHE-CACHE AVEC LA MORT<\/a><\/p>\n

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LE GRAND CONSOLATEUR de Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

Les classigues et les consolateurs de Mikhail Volokhov<\/a><\/p>\n

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\u0421HRONIQUES DE MACBETH de Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

‘<\/a>Les Chroniques de Macbeth’ — Lev Novojenov<\/a><\/p>\n

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UN PUTAIN DE SAFARI A ROUBLIOVKA de Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

La pie\u0300ce de M. Volokhov \u201cUn Safari a\u0300 Roubliovka, putain\u201d<\/a><\/p>\n

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KILIMANJARO SUR TES LEVRES — de Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

Re\u0301fe\u0301rences pour ‘Kilimamajaro’<\/a><\/p>\n

*<\/p>\n

LES BALLES ENROB\u00c9ES DE CHOCOLAT de Mikhail VOLOKHOV<\/a><\/p>\n

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‘Les balles enrob\u00e9es de chocolat’ — ce n’est pas pour les cons — Lev Novojenov<\/a><\/p>\n

*<\/p>\n

LE CALVAIRE DE TCHIKATILO de M. VOLOKHOV (texte-film)<\/a><\/p>\n

LE CALVAIRE DE TCHIKATILO de MIKHAIL VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

Dramaturge, prosateur, theoricien du theatre Volokhov est…<\/a><\/p>\n

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PARIS! PARIS! de Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

Notre reponse a Hamlet (critique sur spectacle PARIS! PARIS!)<\/a><\/p>\n

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LES LESBIENNES DU BRUIT DE TSUNAMI de Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

Critique — Les lesbiennes du bruit de tsunami<\/a><\/p>\n

*<\/p>\n

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‘LIOUDMILA GOURTCHENKO VIVANTE’ de Mikhail VOLOKHOV<\/span><\/a><\/div>\n
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Vlad Stopalov. ‘Lioudmila Gouttchenko vivante’, une piece de Mikhail Volokhov<\/span><\/a><\/div>\n<\/div>\n<\/div>\n
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*<\/p>\n

LES ANGES SONT PARMI NOUS de Mikhail VOLOKHOV<\/a><\/p>\n

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THEATRE DE KAIROS PAR ESSENCE DE M. VOLOKHOV<\/a><\/p>\n

Stanislav Merkouchov — M. Volokhov: tabou et absurde<\/a><\/p>\n

Stanislav Merkouchov — M. Volokhov: la piece et le film La Calvaire de Tchikatilo<\/a><\/p>\n

STANISLAV MERKOUCHOV — ‘PROBL\u00c9MATIQUE DES PIECES DE L’ABSURDE SOVI\u00c9TIQUES DES ANN\u00c9ES 1980-90 — MIKHAIL VOLOKHOV’<\/span><\/a><\/p>\n

Lidia Mie\u0328sowska — ‘Un Dialogue avec l’absurde. Les notes sur la dramaturgie de Mikhail VOLOKHOV’<\/a><\/p>\n

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Translations of Mikhail Volokhov\u2019s plays into English. <\/strong>\u041f\u0435\u0440\u0435\u0432\u043e\u0434\u044b \u043f\u044c\u0435\u0441 \u041c\u0438\u0445\u0430\u0438\u043b\u0430 \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u0430 \u043d\u0430 \u0430\u043d\u0433\u043b\u0438\u0439\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a \u0438 \u043f\u0435\u0440\u0435\u0432\u043e\u0434\u044b \u043a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0441\u0442\u0430\u0442\u0435\u0439 \u043e \u0434\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433\u0435.<\/strong><\/h5>\n

DEAD MAN’S BLUFF by Mikhail VOLOKHOV<\/a><\/p>\n

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Zhitinkin’s speech before the play Dead Man’s Bluff by Mikhail VOLOKHOV<\/a><\/p>\n

Excerpt from a\u00a0discussion of the play ‘Dead Man’s Bluff’ at the M. Gorky Literary\u00a0Institute, 1989<\/a><\/p>\n

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THE GREAT CONSOLER by MIKHAIL VOLOKHOV (English)<\/a><\/p>\n

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Classics and consolers (Article by Alexander Inyakhin, English)<\/a><\/p>\n

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THE MACBETH CHRONICLES by Mikhail VOLOKHOV<\/a><\/p>\n

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The Macbeth Chronicles by Lev Novozhenov<\/a><\/p>\n

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‘BULLETS IN CHOCOLATE’ — by Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

‘Bullets in Chocoiate’ is not for foois Lev Novozhonov<\/a><\/p>\n

*<\/p>\n

RUBLEVKA SAFARI by Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

On M. Volokhov\u2019s play \u2018Rublyovka Safari\u2019<\/a><\/p>\n

*<\/p>\n

KILIMANJARO ON YOUR LIPS by Mikhail VOLOKHOV<\/a><\/p>\n

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Kilimanjaro On Your Lips a play by the dramatist Mikhail Volokhov<\/a><\/p>\n

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TCHIKATILO’S CALVARY by Mikhail VOLOKHOV<\/a><\/p>\n

ENG BULLETS IN CHOCOLATE<\/a><\/p>\n

*****<\/p>\n

\u0410\u043d\u0433\u043b\u043e\u044f\u0437\u044b\u0447\u043d\u0430\u044f \u043f\u0440\u0435\u0441\u0441\u0430 \u043e \u041c\u0438\u0445\u0430\u0438\u043b\u0435 \u0412\u043e\u043b\u043e\u0445\u043e\u0432\u0435
\n<\/strong><\/a>English press about Mikhail Volokhov<\/p>\n

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PARIS BOUND by Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

We`re fine as we are Lion Novogonov<\/a><\/p>\n

*<\/p>\n

LESBIANS ROARING LIKE A TSUNAMI by Mikhail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

Eng reviews Lesbians Roaring Like a Tzunami<\/a><\/p>\n

*<\/p>\n

‘<\/a>LYUDMILA GURCHENKO LIVES’ by Mikihail VOLOKHOV<\/a><\/p>\n

*****<\/p>\n

‘Lyudmila Gurdhenko Lives’ by Mikhail Volokhov<\/a><\/p>\n

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‘THE THEATRE OF KAIROS IN ESSENCE’ — AN ESSAY BY MIKHAIL VOLOKHOV ON THE THEORY OF THEATRE AND ART<\/a><\/p>\n

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STANISLAV MERKUSHOV ‘THE PROBLEMATICS OF RUSSIAN DRAMA OF THE ABSURD 1980-90s — MIKHAIL VOLOKHOV’<\/a><\/p>\n

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STANISLAV MERKUSHOV — ‘MIKHAIL VOLOKHOV — TABOO AND THE ABSURD’<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

STANISLAV MERKUSHOV — LINGUISTIC AND THEMATIC DE-TABOOIZATION IN THE WORKS OF MIKHAIL VOLOKHOV (THE PLAY AND FILM ‘CHIKATILO’S CALVARY’)<\/a><\/p>\n

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Lidia Mi\u0119sowska — ‘Dialogue with the Absurd. Notes on the dramaturgy of Mikhail Volokhov’<\/span><\/a><\/div>\n
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\u00dcbertragung ins Deutsche \u201cBlindekuh\u201d. Die Vorstellung von Bernard Sobel in Bochum mit Armin Rohde und Michael Weber. Besetzung in Dortmund: Patrick Turovsky und Andreas Wegler in hervorragender Regie von Matthias Hesse. In St.Gallen atemberaubende Inszenierung von Marco Giacopuzzi: Roberto Guerra und Bj\u00f6rn Freiberg. <\/strong>Die \u00dcbersetzungen kritischer Artikel \u00fcber den Dramatiker.
\n<\/strong>\u041f\u0435\u0440\u0435\u0432\u043e\u0434 \u043f\u044c\u0435\u0441\u044b «\u0418\u0433\u0440\u0430 \u0432 \u0436\u043c\u0443\u0440\u0438\u043a\u0438» \u043d\u0430 \u043d\u0435\u043c\u0435\u0446\u043a\u0438\u0439 \u044f\u0437\u044b\u043a. \u0415\u0435 \u0438\u0433\u0440\u0430\u043b\u0438 \u0432 \u0411\u043e\u0445\u0443\u043c\u0435 \u0432 \u043d\u0435\u043f\u0440\u0435\u0432\u0437\u043e\u0439\u0434\u0435\u043d\u043d\u043e\u0439 \u0440\u0435\u0436\u0438\u0441\u0441\u0443\u0440\u0435 \u0411\u0435\u0440\u043d\u0430\u0440\u0434\u0430 \u0421\u043e\u0431\u0435\u043b\u044f — \u0410\u0440\u043c\u0438\u043d \u0420\u043e\u0434\u0435 \u0438 \u041c\u0438\u0445\u0430\u0438\u043b \u0412\u0435\u0431\u0435\u0440. \u0412 \u0414\u043e\u0440\u0442\u043c\u0443\u043d\u0434\u0435 \u0432 \u043e\u0442\u043c\u0435\u043d\u043d\u043e\u0439 \u0440\u0435\u0436\u0438\u0441\u0441\u0443\u0440\u0435 \u041c\u0430\u0442\u0438\u0430\u0441\u0430 \u0413\u0435\u0441\u0441\u0435 — \u041f\u0430\u0442\u0440\u0438\u043a \u0422\u0443\u0440\u043e\u0432\u0441\u043a\u0438\u0439 \u0438 \u0410\u043d\u0434\u0440\u0435\u0430\u0441 \u0412\u0435\u0433\u043b\u0435\u0440. \u0412 \u0433\u043e\u0440\u043e\u0434\u0435 \u0421\u0430\u043d \u0413\u0430\u043b\u043b\u0435\u043d\u0435 \u0432 \u0441\u043d\u043e\u0433\u0448\u0438\u0431\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0439 \u0440\u0435\u0436\u0438\u0441\u0441\u0443\u0440\u0435 \u041c\u0430\u0440\u043a\u043e \u0416\u0438\u0430\u043a\u043e\u043f\u0443\u0446\u0438 — \u0420\u043e\u0431\u0435\u0440\u0442 \u0413\u0435\u0440\u0440\u0430 \u0438 \u0411\u0439\u043e\u0440\u043d \u0424\u0440\u0430\u0439\u0431\u0435\u0440\u0433. <\/strong>\u041f\u0435\u0440\u0435\u0432\u043e\u0434\u044b \u043a\u0440\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445 \u0441\u0442\u0430\u0442\u0435\u0439 \u043e \u0434\u0440\u0430\u043c\u0430\u0442\u0443\u0440\u0433\u0435.<\/strong><\/h5>\n

BLINDEKUH von Michail WOLOCHOW<\/a><\/p>\n

*****<\/p>\n

http:\/\/volokhov.net\/?page_id=235<\/a> — \u041f\u0440\u0435\u0441\u0441\u0430 \u0413\u0435\u0440\u043c\u0430\u043d\u0438\u0438 (German press)<\/p>\n

http:\/\/volokhov.net\/?page_id=241<\/a> — \u041f\u0440\u0435\u0441\u0441\u0430 \u0428\u0432\u0435\u0439\u0446\u0430\u0440\u0438\u0438 (Swiss press)<\/p>\n

LE FRAN\u00c7AIS A BESOIN<\/h2>\n

Il faut voir:<\/h3>\n

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